ARTIST TALKS
Yarrenyty Arltere Artists Fashion Show at the Desert Mob 2023 Artist Talks. Photo by Rhett Hammerton, courtesy Desart
FRIDAY 12 SEPTEMBER
Araluen Arts Centre THEATRE
10AM – 3:30PM
TICKETED EVENT
Desert Mob Artist Talks is an unmissable opportunity for audiences to hear firsthand from Aboriginal artists and special guests about their work and projects, community and country. Artist Talks offers rich context to Desert Mob through presentations, interviews, film, and performance.
Parts of this event are Auslan-interpreted
2025 ARTIST TALKS PROGRAM:
Old Days
Imanka nurna laakinha nitjaarta
tangentyere artists
Image:
Ingrid Williams, Marjorie ‘Nunga’ Williams and Coralie Williams with Marjorie’s new book Old Days Imanka nurna laakinha nitjaarta. Courtesy Tangentyere Artists


Heart of glass
Selinda Davidson
Ninuku Arts
Selinda Davidson shares her journey as a glass artist at Ninuku Arts, reflecting on how glass has become a powerful medium for her innovative storytelling. Through residencies and mentorships, including with South Australian glass artist Clare Belfrage at JamFactory, Selinda has developed a distinctive practice using etching and layering techniques to create textured designs inspired by the tali tjuta (many sandhills) of her country. She shares her experience of the process of working with glass in the studio at the art centre and on country, and how it offers a new surface for Tjukurpa to be creatively expressed.
Image: Selinda Davidson, Tali Tjuta, 2024, enamel on glass, 28.5 X 21cm. Courtesy of Ninuku Arts & JamFactory
Against the odds |
25 years of
Purple House
Papunya Tula Artists
+ Purple House
Twenty-five years ago, Papunya Tula Artists commissioned a series of major works to support a fundraising initiative to establish dialysis services in the Western Desert. Despite much scepticism, over a million dollars was raised at the auction and since then the Purple House organisation has grown to include twenty remote communities across the NT, WA. Purple House Directors and artist, Marlene Nampitjinpa, in conversation with Sarah Brown, reveals the vital role art centres play in remote area communities.
Image: (L-R) Robert Nanala Tjapaltjarri, Tjumpo Tjapanangka, Kanya Tjapangati, Charlie Wallabi Tjungurrayi, Patrick Tjungurrayi, Brandy Tjungurrayi, Johnny Yungut Tjupurrula, Bobby West Tjupurrula and Charlie Ward Tjakamarra (obscured) at Kiwirrkura in front of Kiwirrkura men’s painting 1999, synthetic polymer paint on linen, 257 x 212cm. Photograph by Paul Sweeney, courtesy of Papunya Tula Artists and Purple House


Antala-iperra (Weather)
Hermannsburg Potters
Hermannsburg Potters present their animation Antala-iperra (Weather), which tells stories of the seasons on Western Aranda Country. The animation depicts the animals, bird life, reptiles and plants that can be found at different times throughout the year. Over six months, artists painted each scene onto terracotta tiles using underglazes in Hermannsburg Potters’ distinct style. In this edition, the artists have added spoken and written names in both Western Aranda and English for all the life and activity depicted in Atala-iperra, offering a dynamic record of country and cultural knowledge.
Image: Irntaakupma (thorny devil) by Judith Inkamala. Still from Antala-Iperra – Weather (educational version 2025), Hermannsburg Potters. Courtesy of Hermannsburg Potters and Studio Peeki
The power is
in our hands
Iwantja Arts +
NPY Women's Council
Ngangkari are the traditional healers of the NPY Lands in Central Australia. For thousands of years, ngangkari have looked after the physical and emotional health of their people. Ngangkari shared their stories for the first time in Traditional Healers of Central Australia: Ngangkari – a collection of firsthand accounts which traces personal histories from pre-contact times to the present. Iwantja Arts artists and ngangkari Betty Muffler and Maringka Burton join NPYWC editorial committee members and fellow ngangkari and artists Pantjiti Lewis and Jennifer Mitchell, to celebrate the forthcoming second edition of this book in story and song.
Image: Cover of Traditional Healers of Central Australia: Ngangkari, new edition, with photography by Rhett Hammerton, published by NPY Women’s Council


Leave this water alone,
it's from the beginning
ARLPWE ART AND CULTURE CENTRE
Image: Water Justice Project Courtesy of Running Waters Community Press
Urapuntja |
Utopia Today
UTOPIA ART CENTRE
In September 2025, Utopia Art Centre officially opened its new gallery and studio in Arlparra adorned with architectural commissions by local artists, including Motorbike Paddy Ngal. This milestone is one of several significant achievements by the artists of the Sandover region this year. In July, a retrospective exhibition of the work of Emily Kam Kngwarray was opened at Tate Modern, London. Artists Jedda Kngwarray Purvis, Jean Kngwarray Purvis, art worker Loretta Pitjara Jones and director Joyce Pitjara Jones, are joined by Warumungu and Luritja curator of the Kngwarray exhibition, Kelli Cole, to discuss a decades-long journey from batik to painting, and the local to London.
Image: The new Utopia Art Centre building at Arlparra featuring art screens by Motorbike Paddy Ngal, designed by Kaunitz Yeung Architecture. Courtesy of Utopia Art Centre


Colour mwerre |
Good colour
Yarrenyty Arltere Artists
The artists of Yarrenyty Arltere transform everyday materials into covetable works of art and fashion through a unique combination of dyeing, stitching, embroidery and imagination. Art worker Vanessa Splinter hosts a parade that tells the story of this town camp art centre and the story of each unique piece in the Yarrenyty Arltere capsule collection. Founding artist, Marlene Rubuntja, leads a cohort of artists and friends, including Rhonda Sharpe, who represented Yarrenyty Arltere as part of the Australian First Nations delegation supported by Indigenous Fashion Projects at the World Expo 2025, in Osaka, Japan.
Image: Yarrenyty Arltere Artists fashion show at the Desert Mob Symposium, 2023. Photo by Rhett Hammerton, courtesy of Desart